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Black Walnut Paint & Ink

Picking Walnuts

For this tutorial, I am using Eastern Black Walnut (Juglans nigra), an endemic and prolific tree in eastern North America. This tree is naturalized in many other parts of North America.


The English Walnut, also known as the Persian Walnut (Juglans regia), can be used in this recipe as well. This is a common landscaping tree and one I often find in parks in the Pacific Northwest.


You can use walnuts gathered from the ground or picked from the tree, if they are nearly full size. The walnuts pictured below were picked from a tree in Tennessee in late July. Walnuts typically begin falling from the tree in late August or September here in Tennessee. Freezing whole walnuts is my preferred method for saving them for later use. Drying is possible, but tedious because you will need to separate the husk from the nut, and the pigment will be less potent.


Extracting Color

Extracting color from black walnuts is a simple process that requires approximately 24 hours for optimal results. The color comes from the green husk, but there is no need to separate it from the nut unless desired.


To extract the color, place the walnuts in enough water to fully submerge them. Bring the water to a boil, then simmer for a few minutes. Turn off the heat and allow the solution to sit. Repeat this cycle 5-10 times over 24 hours. You do not need to follow a strict timeline for this process. Your water will be a rich brown once the color is extracted.


Keep supplies separate from personal cookware.




Making Ink

  • Filter the walnut liquid through a coffee filter 2x

  • Simmer the filtered liquid to reduce volume

  • Test the color of your liquid and remove it from the heat once satisfied

  • Filter your ink one more time (very important)

  • Ink can be used as is, or add a few drops of binder with clove oil

  • Walnut ink will mold and is best stored in the refrigerator



Modifying Ink with Iron

Once you have made your brown walnut ink, you can add iron (ferrous sulfate) to create a dark brown/black ink. Simply stir in a small amount of ferrous sulfate, which will react with the tannin in the ink and instantly darken the color. Use as little ferrous sulfate as necessary. Excess will create crystals in your ink and is harsh on brushes and paper.


When working with inks containing iron, exercise caution to prevent contamination of your other inks. Many pigments will react with iron. Wash brushes well and change out rinse water before using other inks.


A few drops of a binder with clove oil can be added, and refrigeration is suggested.



Making Paint

Black walnut also works well as a lake pigment. For the whole process, check out this tutorial (How to Make a Lake Pigment).


Jar 1 (brown):

500 mL walnut extract

10 g alum

5 g soda ash


Jar 2 (black):

500 mL walnut extract

1/16 tsp ferrous sulfate *added before the alum and soda ash

10 g alum

5 g soda ash






Ink vs Paint


Ink:

  • Easy to make

  • Rich color

  • Short shelf life

  • Can not rework (dyes paper and can not be removed like watercolor paint)


Paint:

  • Longer process

  • Color is not as rich as the ink

  • Long shelf life & easy to travel with

  • Can rework with water (pigment sits on top of paper)
























































 
 
 

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