Black Walnut Paint & Ink
- Alison Webb
- Jul 28
- 3 min read
Picking Walnuts
For this tutorial, I am using Eastern Black Walnut (Juglans nigra), an endemic and prolific tree in eastern North America. This tree is naturalized in many other parts of North America.
The English Walnut, also known as the Persian Walnut (Juglans regia), can be used in this recipe as well. This is a common landscaping tree and one I often find in parks in the Pacific Northwest.
You can use walnuts gathered from the ground or picked from the tree, if they are nearly full size. The walnuts pictured below were picked from a tree in Tennessee in late July. Walnuts typically begin falling from the tree in late August or September here in Tennessee. Freezing whole walnuts is my preferred method for saving them for later use. Drying is possible, but tedious because you will need to separate the husk from the nut, and the pigment will be less potent.
Extracting Color
Extracting color from black walnuts is a simple process that requires approximately 24 hours for optimal results. The color comes from the green husk, but there is no need to separate it from the nut unless desired.
To extract the color, place the walnuts in enough water to fully submerge them. Bring the water to a boil, then simmer for a few minutes. Turn off the heat and allow the solution to sit. Repeat this cycle 5-10 times over 24 hours. You do not need to follow a strict timeline for this process. Your water will be a rich brown once the color is extracted.
Keep supplies separate from personal cookware.
Making Ink
Filter the walnut liquid through a coffee filter 2x
Simmer the filtered liquid to reduce volume
Test the color of your liquid and remove it from the heat once satisfied
Filter your ink one more time (very important)
Ink can be used as is, or add a few drops of binder with clove oil
Walnut ink will mold and is best stored in the refrigerator
Modifying Ink with Iron
Once you have made your brown walnut ink, you can add iron (ferrous sulfate) to create a dark brown/black ink. Simply stir in a small amount of ferrous sulfate, which will react with the tannin in the ink and instantly darken the color. Use as little ferrous sulfate as necessary. Excess will create crystals in your ink and is harsh on brushes and paper.
When working with inks containing iron, exercise caution to prevent contamination of your other inks. Many pigments will react with iron. Wash brushes well and change out rinse water before using other inks.
A few drops of a binder with clove oil can be added, and refrigeration is suggested.
Making Paint
Black walnut also works well as a lake pigment. For the whole process, check out this tutorial (How to Make a Lake Pigment).
Jar 1 (brown):
500 mL walnut extract
10 g alum
5 g soda ash
Jar 2 (black):
500 mL walnut extract
1/16 tsp ferrous sulfate *added before the alum and soda ash
10 g alum
5 g soda ash
Ink vs Paint
Ink:
Easy to make
Rich color
Short shelf life
Can not rework (dyes paper and can not be removed like watercolor paint)
Paint:
Longer process
Color is not as rich as the ink
Long shelf life & easy to travel with
Can rework with water (pigment sits on top of paper)